|
Intro
This is a pick scrape
trick. On the song track I recorded it twice to give it a doubled two
guitar effect.
Leave the 6th string
open. DO NOT MUTE IT !! Use the side of your pick in a violin bow
motion with a slight sideways scrape. Start at the neck pickup and move
back toward the bridge then back toward the neck again.
E___________________________________________________________
B___________________________________________________________
G___________________________________________________________
D___________________________________________________________
A___________________________________________________________
E__///__///___///__///__///__///__//_///_<see video for help_________
Main Theme
Riff
There are 2 riffs going on here
at the same time. Each one compliments the other. The end result is
the feel that you hear on the mp3. If you are 1 guitar in a live setting
for a riff like this, you would want to do a combination of guitar 1 and guitar
2 in order to give the listener the right experience.
Guitar 1 is tabbed in Black
and is in the Right speaker. It has no effects on it.
Guitar 2 is
tabbed in Blue and has Flanger on it. That Flanger is very important.
Guitar 3 is in
Green and is doing a trem picked pattern. The intro trem picked pattern
differs from others in the song. Guitar 3 has Flanger on it.
** This riff is only tabbed once
here in these tabs. However there are other guitar parts that make
vaiations on what happens with this riffing and those parts are tabbed and
explained as you through the song and the video lesson.
Guitar 1: Main Riff in right speaker
A5
G5
A5 G5
E_______________________________________________
B_______________________________________________
G__2____________________________________________
D__2__________5___ __7___ 5~___________________
A__0__________5______7__ _ 5~___________________
E______3-----8______8______ 3~___________________
A5
C5 A5
D/A
E_______________________________________________
B_____________________________7~________________
G_____2___________5___________7~________________
D_____2___________5______7____7~________________
A_____0___3----7__________7______________________
E_0x__________________8_________________________
A5
G5
A5 G5
E_______________________________________________
B_______________________________________________
G__2____________________________________________
D__2__________5___ __7___ 5~___________________
A__0__________5______7__ _ 5~___________________
E______3-----8______8______ 3~___________________
A5
C5 A5
D/A
E_______________________________________________
B_____________________________7~________________
G_____2___________5___________7~__--slide chord dwn___
D_____2___________5______7____7~________________
A_____0___3----7__________7______________________
E_0x__________________8_________________________
Guitar 2: In left speaker, this is the
complimentary riff. This riff has Flanger on it. It of course is
played at the same time as Guitar 1's riff.
E_______________________________________________
B_______________________________________________
G__2____________________________________________
D__2_________7___5~--sl dwn--______________________
A__0_________7___5~--sl dwn--______________________
E_____3----8______________________________________
E_______________________________________________
B_______________________________________________
G__2_____________7~--sl dwn--______________________
D__2_________7___7~--sl dwn--______________________
A__0_________7__________________________________
E_____3----8_____________________________________
Guitar 3: Trem picked part
E_______________________________________________
B_1---10/////////_~___-------_22//////////~~~~~~___
G_______________________________________________
D_______________________________________________
A_______________________________________________
E_______________________________________________
Verse 1
There are two guitar parts for
the verse. Guitar 1 is doing chord hits and guitar 2 is doing a melody.
If you were 1 guitar doing this by yourself you would do both parts. You
would do a chord hit then do the melody. See video for added lesson.
Notice for your own edification
the chord change here. This is a dramatic change in chord pattern.
We go from a chord pattern built around, A, G, D to an F to Eb chord pattern.
Guitar 1: Let chords ring out.
F
Eb
F
Eb
E___________________________________________________________________
B___________8_____________________8_____8_____8_____________________
G__2________8____________2________8_____8_____8_____________________
D__3________8____________3________8_____8_____8_____________________
A__3________6____________3________6_____6_____6_____________________
E__1_________________0x__1___________6_____6_______//// pick
scrape trick___
Guitar 2: Melody part. No effects except
reverb.
E_______________________________________________
B__1___________ 3____________ 4__________________
G__3^1>slight release__5^1>slight release___6^1~~~w.b~~_________
D_______________________________________________
A_______________________________________________
E_______________________________________________
E____________________________________________________________________
B_1_________ 3________ 4________ 3_________ 4________
6_________ 8_____
G_3^1>slight rel__5^1>slight rel__6^1>slight
rel__5^1>slight rel__6^1>slight rel__8^1>slight
rel_ 10^1~_
D____________________________________________________________________
A____________________________________________________________________
E____________________________________________________________________
Chorus Riff
This riff is the
main theme riff. The only difference is what Guitar
3 in Green is doing this time. This time Guitar 3 is still trem picking
the 10th fret 2nd string, but it's also accenting the D/A power chord at the end
of the Main theme riff.
See video for help with this
chorus part. Or just read the note above.
Guitar 3: With Flanger
E_____________________________________________________
B_1---10///////////////////////__7~______________________
G_____________________________7~__----Slide chord downward___
D_____________________________7~______________________
A_____________________________________________________
E_____________________________________________________
Verse 2
Same sort of deal as Verse 1.
Verse 2 has two guitar parts. This time though, we're doing a C to F
chord pattern. This type of song writing technique can help make a song
that has a simple root chord pattern sound more complex than it actually is.
This is a good skill to take with you when writing your own music.
Guitar 1: Let chords ring out.
C
F
C
F
E_______________________________________________
B__5________________5______ 10_____10_____10____
G__5_______2________5______ 10_____10_____10____
D__5_______3________5______ 10_____10_____10____
A__3_______3________3_______8______8______8_____
E__________1____________________8______8________
Guitar 2: Melody part. No effects except
reverb.
Do the double stops with
your fingers. Use your thumb and index finger to lightly pluck both
strings at the same time.
C
F
Fsus2
F Fsus2
F
E_____________________________________________________
B_____________________________________________________
G_________________________2_2_2_2__0_0_0__2_2_2__0_2__
D_____________5---7----5~___3_3_3_3__3_3_3__3_3_3__3_3__
A__1---3~~_____________________________________________
E______________________________________________________
E_______________________________________________________________
B_______________________________________________________________
G_______________________________________________________________
D_3----10~___10----19---17~_--sl dwn--___15_--__10__--_15___10__--_15~_
A_______________________________________________________________
E_1-----8~____8-----17---15~_--sl dwn--___13_--__8___--_13___
8__ --_13~_
The next main riff is
the same as the Chorus already covered so I won't tab it again.
Solo #1
This style of solo is tricky.
It's over a weird chord pattern and it has an odd feel to it as far as what the
drums are doing. The beats are not standard on the beat sort of things.
I should know, I programmed them. lol
On the video I will give you a
very good lesson on this type of soloing and how to play this particular solo as
well. The best tip I can give you is get into a groove with the drums.
You have to pay attention but not too much. This isn't supposed to be
counted out like some guitar lesson. It should flow naturally or as
naturally as possible anyway.
Bass
under the solo: It's important to know what you're soloing
over. Below is the bass part.
C
Bb
Am G#
G
F
C Bb
G#
G________________________________________________________________
D________________________________________________________________
A________________________________________________________________
E__8__8_8__6~__8_6__5~_5__4_4~___3__3~__1_1~____8~__6~~__4~~__
Guitar leads: See video lesson for
details on the techniques used in this lead.
E__________________________________________________
B__________________________________________________
G_(12)-5-8_(12)-5-7_(12)-5-8__(12)-6-9_(12)-6-8_(12)-6-9__
D__________________________________________________
A__________________________________________________
E__________________________________________________
E____________________________________________________________________________
B____________________________________________________________________________
G_(12)-7-10_(12)-7-9_---11^1~_(14^1)>release
_(14)<bend<(14^1.5)>release
_(14)-9_9^gradual bend^9^1~_
D____________________________________________________________________________
A____________________________________________________________________________
E____________________________________________________________________________
See video for help with the
line below.
E______________________________________________________
B______________________________________________________
G_5^1.5__5^1.5__5^1.5_5^1.5__5^1.5__5^1.5__5^1.5__5^1.5__5^1.5__
D______________________________________________________
A______________________________________________________
E_______________________________________________________
E_______________________________________________
B_______________________________________________
G__5^1__5^1_5^2>rel_5-3-5-3_3^1~w.b~________________
D_______________________________________________
A_______________________________________________
E_______________________________________________
Scale up portion
E___________________________8__11^1_11_10_8_______________
B______________________8-11__________________11_10_11^1~__
G_____________4-5----9_____________________________________
D_______3-5-7_____________________________________________
A_3-5-7___________________________________________________
E_________________________________________________________
Final Solo 1
ending
This is a tricky little
thing, more Vito Bratta than Vh as far as the technique I used to do it.
Either way it's a nice ending for this solo and it works nicely with the C, Bb,
G#, Bass line that's under it.
See video for help
Version 1: The easier way doing a
hammer on to the 16th fret 2nd string. The 13th fret in italic at the
beginning of the measure, means to anchor your left (or fretting) hand on the
13th fret. You'll want it there as that's where you'll be pulling off to.
Ideally try to use either your index finger or middle finger for that 13th fret.
Do not sound it out though, the first thing that sounds out is the 18th fret 2nd
string bent tap. The 13th fret, like I said, is just an anchor and a pull
off point.
E____________________________________(20)~_____
B__13_(18^1)>release_(18)-13_13^1>release_13-16___________
G_____________________________________________
D_____________________________________________
A_____________________________________________
E_____________________________________________
Version 2: The more difficult way,
tapping the 16th fret 2nd string.
E______________________________________(20)~_____
B__13_(18^1)>release_(18)-13_13^1>release_13_(16)___________
G_______________________________________________
D_______________________________________________
A_______________________________________________
E_______________________________________________
Solo #2
This solo is over the main
riffing pattern. Pretty straight up Chuck Berry style with a VH twist.
Again, as always see the video for help with the techniques used to perform the
various sections of these leads.
A5
G5
E_______5_5_______5_5_5__3~___________________________________
B__5____5_5__5____5_5_5__3~___(8)-3-6_(8^1/2)>release_(8)-3-6^1/2>release_6___
G__7^1_______7^1_______________________________________________
D______________________________________________________________
A______________________________________________________________
E______________________________________________________________
A5
D/A
E_______5_5_______5_5_5_________________
B__5____5_5__5____5_5_5__3___~~w.b~~___
G__7^1_______7^1_________5^1_~~w.b~~___
D_______________________________________
A_______________________________________
E_______________________________________
Tap portion
Some of these are sick bends.
Sick bends are under bends. Lack of precision is part of the key to making
this sound right. When you release bends, don't release them all the way.
Leave them bent slightly, that's another tip.
A5
E_______________________________________________
B_(10)-5-8__(10)-8^3/4__(10)-8^3/4__(10)-8^3/4________
G_______________________________________________
D_______________________________________________
A_______________________________________________
E_______________________________________________
G
E________________________________________________
B__(8)-3-6^3/4__(8)-3-6^3/4__(8)-3-6^3/4>>slow
release>_6^1/4_
G________________________________________________
D________________________________________________
A________________________________________________
E________________________________________________
A5
D/A
E___________________(10)-5-8__________(10)-5-8_________________________________
B__(10)-5-8__(10)-5-8_________(10)-5-8___________(10)-5-8__(10)-8^1>slow
release_8--sl dwn--
G____________________________________________________________________________
D____________________________________________________________________________
A____________________________________________________________________________
E____________________________________________________________________________
F < First chord of Verse 3
E____________________________________________________ 17________
B_8--10////__12////__13////__15////___17////__--20////___20^1///~__
G______________________________________________________________
D______________________________________________________________
A______________________________________________________________
E______________________________________________________________
Verse 3
Same Guitar 1 part as Verse 1
but the Guitar 2 melody part is different this time. I changed it up to
give you another example of this technique.
Guitar 1: Let chords ring out.
E___________________________________________________________________
B___________8_____________________8_____8_____8_____________________
G__2________8____________2________8_____8_____8_____________________
D__3________8____________3________8_____8_____8_____________________
A__3________6____________3________6_____6_____6_____________________
E__1_________________0x__1___________6_____6_______//// pick
scrape trick___
Guitar 2: No effects
E_____________________________________________________________________
B_1_________ 3________ 4________ 3_________ 4________
6_________ 8______
G_3^1>slight rel__5^1>slight rel__6^1>slight
rel__5^1>slight rel__6^1>slight rel__8^1>slight
rel_ 10^1~w.b_
D_____________________________________________________________________
A_____________________________________________________________________
E_____________________________________________________________________
Apply a slight
release to the bends tabbed below. See video for help with this subtle
technique.
E______________________________________________________
B__8_____4______8______6______8________10______11______
G_ 10^1__
6^1___
10^1___
8^1___
10^1____
_12^1____13^1____
D______________________________________________________
A______________________________________________________
E______________________________________________________
From here it's ending chorus riffing. The final chorus is exactly
the same as Chorus # 2 so I will not tab it again. There is a Guitar
4 part that comes in toward the end for the last 12 measures of song or so and
riffs around the main riff. The tabs for the Guitar 4 part are below.
Ending Chorus
Guitar 4: Comes in
about the last 12 measures of the song. This is a good example of W/Ch,
Fair Warning era ending outro riffing. Usually this riffing is a lead done
in the form of either an altered main riff to a song (such as below) or, it's
just chord hits that work with the riffing. Either way the riff below is a
great lesson in this sort of thing and I encourage everyone to embellish on it
and try different things with it.
This Guitar part
contains Flanger
A5
C5
G5
E_______________________________________________
B_______________________________________________
G__2~________5______5__________________________
D__2~________5______5___5~_____________________
A__0____0x______0x______ 5~_____________________
E_____________________________10---sl dwn---______
A5
C5
D5
A5
G5
E_________________________________________________________
B_________________________________________________________
G__2~________5______5_5--7~__----14~______14_____14__12~___
D__2~________5______5_5--7~__----14~______14_____14__12~___
A__0____0x______0x___________________0x______0x___________
E_________________________________________________________
A5
C5
D5
E__________________________________________________
B__________________________________________________
G_12--14__14~______17______17____7~________________
D_12--14__14~______17______17____7~________________
A______________0x______0x__________________________
E_____________________________________10---sl dwn---__
A5
C5
G5
E_______________________________________________
B_______________________________________________
G__2~________5______5__________________________
D__2~________5______5___5~_____________________
A__0____0x______0x______ 5~_____________________
E_____________________________10---sl dwn---______
A5
E_______________________________________________
B_______________________________________________
G__2____________________________________________
D__2____________________________________________
A__0____________________________________________
E_______________________________________________
|